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January 3 - February 9 The Cut by Mark Ravenhill. US Premiere! At home, Paul is a loving father and husband, but when he goes to work he administers The Cut. As society becomes revolted by his profession, Paul suffers a crisis of conscience and has to come to terms with himself and his “profession.” Directed by Dave Barton. For Mature Audiences.
Feb. 21 - March 29 Arms and the Man by George Bernard Shaw. This romantic comedy centers around a young woman engaged to a war hero she idolizes. When an enemy soldier bursts through her bedroom window and demands she protect him, the young woman soon finds herself falling in love. Complications arise when the war ends and her hero comes home. Directed by Sally Norton. For General Audiences
April 10 - May 17 Strangers, Babies by Linda McLean. US Premiere! One woman, five men.When Dan married his wife he knew he wasn’t settling for a simple life. Duncan is dying his day is made worse by the arrival of his daughter looking for forgiveness. Roy’s internet chat struck pay dirt and tonight he finds himself face to face with a woman who shares his taste in pain. If Denis didn’t ever have to meet his sister again it would be too soon but there was something about her phone call. Abel is in Social Services and one mother’s reluctance to give him access to her son sets off his alarm bell. May is the woman in their lives and she’s coming undone. Sometimes chilling, frequently hilarious, strangers, babies is the story of one woman’s desperate attempt at a future. Directed by Dave Barton. For Mature Audiences.
May 29 - July 5 A New Brain by William Finn. A New Brain is the semi-autobiographical story of William Finn, the Tony-Award winning composer/lyricist of Falsettos. The premise is that of a frustrated composer who is stricken by a brain disorder. The composer, Gordon Schwinn, faces the possibility of his own mortality with (or despite) the help of his friends, family, and the hospital staff. The show is loosely based on Finn's life, when he was diagnosed with a brain condition in 1992. Directed by Patrick Pearson
July 24 - August 30 The Seven Deadly Sins Seven World Premiere One Act Plays by Dave Barton, David Johnston, Steven Parker, Steve Patterson, Erika Tai, Robert M. Tully and Ken Urban. Lust, Sloth, Gluttony, Greed, Wrath, Envy, and Pride meet their match in go-go boys reading Joyce, fat men sitting on couches, ravers texting while snorting cocaine, African dictators facing justice in The Hague, community theater productions of The Odd Couple gone horribly wrong, demonic justice at the end of a whip and Greek Mythology gone amok. Directed by a variety of RGTC directors. For Mature Audiences.
September 11 - October 18 Consent by Aurelio Locsin. World Premiere! Can a Hometown Buffet manager and his hunky demon seducer fall in love through their real and imagined histories? This dark comedy propels them from Orange County to several afterlives, prompting encounters with a sexy demoness, a fabulous stylist, bewildered tribesmen, and talking trees. Directed by Aurelio Locsin. For Mature Audiences.
November 6 - December 13 Our Town by Thornton Wilder. (Rights Pending) “My, wasn’t life awful - and wonderful.” The classic play about love, community and the brevity of life in a small town is given a new, challenging Rude Guerrilla staging. Directed by Sharyn Case. For General Audiences
We are proud to announce our new 2nd Stage Season!
Saturdays and Sundays only.
January 5 - February 3 Beirut by Alan Bowne. In a room on the Lower East Side of New York, a young man has been quarantined after testing positive for a nameless disease. His girlfriend, who has not been infected, makes the dangerous journey across the quarantine line to be with him. Directed by Dave Barton. For Mature Audiences.
June 7 -July 5 Orange Flower Water by Craig Wright. Married couples David and Cathy and Brad and Beth live with their children in relative peace…until two of them begin an adulterous affair. Through a series of scenes taking place on or around a single bed, we see the painful unraveling of both marriages and, eventually, the construction of a fragile, but new, beginning. Directed by Sharyn Case. For Mature Audiences.
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